'Big Sky' takes a deadly detour into the dark side of the heartland

Big Skystarts out feeling like another quirky dramaa generation-later heir to David E. Kelley’sPicket Fences” — before morphing into something much darker, which turns out to be pretty surprising and compelling once you get past the clunky and unpleasant task of setting it all up.

Kelley — the creator of shows likeAlly McBeal” e “The Practice” — has more recently migrated to premium TV (see HBO’s “Grandi piccole bugie” e “The Undoing”), which makes his broadcast return something of an occasion. ABC also gambled on the show, saltando straight to a series orderbypassing the usual pilot processin a Covid-impacted program-development season.
Qui, the prolific writer is again working from a book, this time C.J. Box’sThe Highwaynovels. The story focuses on a pair of teenage sisters who get kidnapped in rural Montana, gradually peeling back layers to reveal a menacing, hidden underbelly of the heartland.
A topnotch cast helps elevate the material, with Ryan Phillippe as Cody Hoyt, a private eye engaged in a mini-soap opera involving his estranged wife Jenny (Katheryn Winnick), an ex-cop, and his business partner Cassie (Kylie Bunbury). The three get drawn into the larger plot when the teenson a road trip to visit the Hoyts’ figlio — are snatched by a predator.
    File that sequence under the heading ofTeenagers do dumb things in movies and TV,” violating rules about strange truck drivers and turning off the main highway onto lonely back roads. The whole thing has an unfortunate, slightly uncomfortable slasher-movie vibe.
    Concern about their disappearance brings the private investigators into contact with a local highway patrolman (the always excellent John Carroll Lynch), and begins to pull back the curtain on what a headline summarizes as rural Montana’sabduction problem.
    The pulpy, serialized plot has more of a cable texture, certainly compared to procedural network dramas. Detto ciò, the women-in-peril aspect is only one of the ways in which the set-up comes across as datedincluding a disturbing character (Brian Geraghty) with mommy issuesveering closer to what feels like “Il silenzio degli agnelli” territory than the wide-open spaces.
    That’s offset, to some extent, by the strength of the female characters, including Winnick (“Vichinghi”) and Bunbury (“Intonazione”), who even engage in a bar brawl during the early going.
    The idea of dark secrets in small towns is as old as the hills (o il “Twin Peaks), e “Big Skypossesses its share of throwback qualities.
      Ancora, Kelley’s writing deftly pulls the audience along from twist to twist, at least through the two episodes previewed. How well that bodes for the long haul remains to be seen, but at least out of the gateBig Skygets considerable mileage out of this premise, turning a misguided detour into what looks like a very dark trip.
      Big Sky” anteprime nov. 17 a 10 p.m. ET on ABC and will be available the next day on Hulu.

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