'Come From Away' lands with all of its Broadway charms intact on Apple TV+

Amid a slew of documentary programming tied to the 20th anniversary of the Sept. 11 攻撃, the best thing to watch turns out to be a streaming Broadway musical. Much like “ハミルトン” on Disney+,”離れて来る” delivers a best-seat-in-the-house view, offering a moving, brilliantly shot and staged spectacle that brings that moment unerringly back to life.

The live performance of the Tony-nominated show was filmed in New York for an audience that included Sept. 11 survivors and frontline workers, which only adds to the poignance of a presentation that manages to be uplifting, funny and lump-in-your-throat emotional all at once.
That’s a tribute not only to the production authored by Irene Sankoff and David Hein but also director Christopher Ashley, who in translating the show from stage to film captures the remarkable use of the physical spacewith the ensemble cast each playing multiple characterswhile putting the cameras in positions that enhance the experience.
    Adapted from the bookThe Day the World Came to Town: 9/11 in Gander, Newfoundland,” the fact-based musical tells multiple stories of the 7,000 people temporarily stranded in Gander いつ 38 flights were grounded after the attacks, almost instantly doubling the size of the small but close-knit community.
      The individual talesof love and loss, bonds strained and friendships forgedare chronicled from a variety of angles, from the logistical challenges to the townsfolk and their heartwarming generosity to the upended lives of those that they refer to asthe plane people,” which has an almost-sci-fi-like ring to it.
        離れて来る

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        離れて来る 02:48

        Beginning with the opening numberWelcome to the Rock,” the songs represent a masterful mix of styles, most sung by the entire ensemble, who remain on stage at practically all times. The swiveling centerpiece does an enormous amount of heavy lifting, transforming the minimalist set into an airplane interior or the local pub at seemingly a moment’s notice.
        The cast is so uniformly good it’s practically impossible to single anyone out, though it’s worth noting the presentation features seven original cast members, including Tony nominee Jenn Colella, WHO developed a relationship with one of the characters she plays, American Airlinesfirst female captain Beverley Bass, that’s a story unto itself. (Photos of cast members with their real-life counterparts at the end merely add to the dramatic wallop.)
          なので “ハミルトン” demonstrated, along with showcases of American Son,” “What the Constitution Means to Meand David Byrne’sAmerican Utopia,” streaming and premium TV have turned out to be godsend during the pandemic in terms of bringing theater into the home, and in this case, beautifully preserving the qualities and feelings associated with that.
            In an odd bit of symmetry, “離れて来る” lands a few weeks before the musical that earned the Tony in 2017, “Dear Evan Hansen,” makes its theatrical debut. And it’s no slight to that movie to plainly state that it will be hard-pressed to fly any higher than the residents of Gander andthe plane people” 行う.
            “離れて来る” premieres Sept. 10 on Apple TV+.

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