Rita Moreno shines in the documentary 'Just a Girl Who Decided to Go For It'

Like everything else she’s done, リタ・モレノは並外れたストーリーテラーです, 旋回 “リタ・モレノ: それのために行くことに決めたただの女の子” — AN “アメリカンマスターズ” ドキュメンタリーが最初に劇場を襲う — into a dazzling look at the much-adorned star’s career, and the doors left shut, despite her success, by being a Latina in Hollywood during the days of the studio system.

Moreno is in the select group EGOT winnerspeople who have earned an Emmy, グラミー, Oscar and Tony. 今 89, she’s introduced in the film at a party celebrating her 87th birthday, offering a quick demonstration of what a force of nature she remains. (She also remains outspoken, 持っている waded into the controversy 以上 “In the Heightswhile appearing on Stephen Colbert’s program.)
Rita Moreno in the documentary 'リタ・モレノ: それのために行くことに決めたただの女の子' (Courtesy of Roadside Attractions).

As for her accomplishmentsincluding an Academy Award forWest Side Story,” and a role in its upcoming remake from Steven Spielbergproducer Norman Lear, who featured Moreno in his reboot of One Day at a Time,” 言う, “I can’t think of anyone I’ve ever met in the business who lived the American dream more.
    Yet as director Mariem Pérez Riera’s crisply made film makes clear, for the little girl who moved from Puerto Rico to New York with her mother as a child, fulfilling that dream meant overcoming all the impediments thrown at her, and enduring the indignities that went with being an actress of coloreven one who consciously sought to resemble Elizabeth Taylor when she auditioned as a teenagerduring those years.
      Moreno met with studio mogul Louis B. Mayer at age 16, impressing him enough to land a studio contract. But those years came with beingtreated like a sex object,” as she recalls, which included being sent onpretend dateswith actors by the studio’s publicity department and being cast in an assortment ofnative girlroles that prompted her to perfect an all-purpose accent.
        I wanted to turn the parts down, but that’s all that was offered,” Moreno says, noting that the message from her bosses came throughloud and clear: Shut up and be sexy.
        'West Side Story' trailer drops during Oscars


          ‘West Side Storytrailer drops during Oscars


        ‘West Side Storytrailer drops during Oscars 01:03

        Being sexy also meant being crudely propositioned by Columbia Pictures boss Harry Cohn (fleeing a party to avoid him) そして, 彼女が言います, being raped by her agenta story she shares while watching coverage of Supreme Court Justice Brett Kavanaugh’s confirmation hearings に 2018, snapping tart commentary at the TV.
          Unlike Rita Hayworth, who masked her cultural identity, Moreno turned it into an asset withWest Side Story,” although even her acclaimed role in that movie didn’t open the floodgates as one might have expected. The paucity of worthwhile parts forced her to keep reinventing herself, from her Tony-winning stage role inThe Ritzto TV work ranging from children’s seriesThe Electric Company,” whose album earned her a Grammy, to the grim prison dramaOz.
          Off screen, Moreno engaged in activism that included the civil-rights movement and endured a lengthy and toxic romance with Marlon Brando. Clips from her role opposite Brando in the 1969 映画 “The Night of the Following Daytake on a different hue hearing her discuss their dysfunctional relationship and the emotional scars she bore from it.
          Produced by, とりわけ, Lear andHamilton’sLin-Manuel Miranda, “それのために行くことに決めたただの女の子” conveys the highs and lows of Moreno’s life, while featuring an astute lineup of talking heads, including academics, peers likeWest Side Storyco-star George Chakiris and Karen Olivo, who played the Anita role on Broadway. Those conversations consider the battles still being foughtunderscored by theIn the Heightscolorism debateas well as the extent to which subsequent generations owe a debt to Moreno’s struggles and triumphs.
            The net effect is a tribute to all that Moreno achieved over the course of a 70-year career, tempered by an equally bittersweet asterisk: How high would this “女の子” have flown, given her talents, without facing those formidable headwinds?
            “リタ・モレノ: それのために行くことに決めたただの女の子” premieres in theaters on June 18.