“You cut overtime, patrol cars go empty,” the world-weary police commissioner (Delaney Williams) warns city leaders, who fidget uncomfortably when confronted by rising crime rates and finding the money to impose the necessary reforms.
Simon’s familiar team (including producers Pelecanos, Nina K. Noble and Ed Burns) is joined by director Reinaldo Marcus Green (“King Richard”), along with several familiar faces from Simon’s past projects in the cast.
What’s striking is how neatly the real events depicted in “We Own This City” (a line stated, overtly, by one of the cops) fit with the storylines “The Wire” aangepak 20 jare terug, only here on the other side of the Black Lives Matter movement and efforts to address police brutality toward people of color, fueled by the ubiquity of cellphones documenting such incidents.
Indicative of law enforcement’s inclination to circle the wagons, after one violent encounter Jenkins is reminded to word reports in order to avoid any consequences, with a superior telling him, “The threat to your safety can never be mentioned enough.”
As noted, the project feels a little messy in the early going, but the pieces come together in a compelling way, illustrating the deep roots of police excesses and the elusiveness of the political will to achieve genuine solutions.
“I fought this war,” Treat Williams, playing a retired detective, tells Steele regarding the drug war. “It was lost when I got there. And I did nothing but lose in my time.”
“We Own This City” doesn’t reach the level that “The Wire” het gedoen. Yet in terms of bringing a sharp dramatic eye to big-city policing, Simon and company pretty much own this genre.
“We Own This City” premieres April 25 by 9 nm. ET on HBO, watter, soos CNN, is a unit of Warner Bros. Ontdekking.